Tag Archives: Bruce Marshall

A Stay Against Confusion

In A Stay Against Confusion, Essays on Faith and Fiction, the novelist Ron Hansen, Arts and Humanities professor at Santa Clara University, quotes the poet Robert Frost (1874-1963): 

(A poem) begins in delight and ends in wisdom, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and depends in a clarification of life – not necessarily in a great clarification… but in a momentary stay against confusion.

Our world is chaotic and confusing, and seemingly more so as we travel through time at an ever-quickening pace. Electronics have exploded our hours, shattering our days into bursts of activity, as we point and click, tap and swipe, answer and respond, text and email, moving on to the next message and messaging the next move. Rather than making our world more meaningful or organized or satisfying or even beautiful, we feel like hamsters racing on a wheel. Are we there yet? And where are we going?

Not only are we barraged by information and time demands, but our lack of common cultural assumptions with no governing philosophy has encouraged fragmented thought, opinion, and propaganda veiled as ideas. How do we choose what or who to believe?

So when words strike a chord in our hearts as true, we have a momentary stay against the confusion. A poem, or poetic language, provides this epiphany, this moment of clarity. I would add it helps that the image is beautiful as well as true, that it answers despair with hope and suffering with redemption.  We want answers to questions deep within us.

Ron Hansen describes good fiction as beginning in the natural world and flying into the supernatural, super-natural in the sense that goodness, truth, and beauty claim our hearts in this stay against confusion. We must write about the real world, with real senses, real passions, real loves and real hates. But at some point grace descends upon the battlefield of our lives and those lives we are creating. Grace is this poetic action of light in the darkness. As Christians we call this God’s grace. Others might simply call it art.

The music, the art, and the books that sing to me do just this. In a novel, the story, and above all the diction, invites me into the heart of a rose, calls me to fly with angels. I laugh and I cry from a place deep within, a place that knows these notes, recognizes a heavenly chorus. In a sense I am in love.

I have recently fallen in love with a collection of songs sung by an order of Dominican nuns. The music soars and dives and circles my ears with words and melody that enraptures, captures. It has surprised me that I could be so in love. The tunes haunt me at night and I wake mouthing the phrases; I am so very thankful for this bit of heavenly beauty. They are the Dominican Sisters of Mary, Mother of the Eucharist: https://www.sistersofmary.org/ and the CD is called “Mater Eucharistiae.” You can hear a bit of the music by scrolling down to the video: https://www.sistersofmary.org/our-news/news.html. The order appears to be growing, and many of the nuns are young, part of a new Catholic renaissance. Visit them on Facebook.

The CD provides a “stay against confusion.” It corrals the chaos and conflicting demands upon my mind with its beauty. Father Malachy’s Miracle by Bruce Marshall did this too, as I tried to say in my review (http://catholicfiction.net/book-review/father-malachys-miracle/ ). Mr. Marshall, through his language and homely humor, brought me to a similar place of sanity. Also, Meriol Trevor’s Shadows and Images  (review online at http://catholicfiction.net/book-review/shadows-and-images-a-novel/) brought me into the mind and heart of John Henry Newman, an Anglo-Catholic who made the journey to Roman Catholicism. Ms. Trevor writes with this same poetic diction. I also found this kind of sanity in Susan Prudhomme’s novels, The Forest and The Wisdom of Ambrose, also reviewed on CatholicFiction.net.

I pray that my own words are painted by such grace, pulling readers into a land of truth and beauty. The reviews of my just released novel, The Magdalene Mystery, have been encouraging, the most recent by novelist Bruce Judisch (the giveaway is still on): http://brucejudisch.blogspot.com/.

Today our parish celebrated the Feast of Christ the King. It is a time when we consider the kingdom over which Christ reigns. And I have found, through faithful prayer and worship, that the kingdom is all around us. Every moment of grace, God’s action upon us, opens our eyes, invites us through the doors of his kingdom, calls us with a poetry of goodness, truth, and beauty. There are times when I feel as though I straddle the border between two kingdoms, one of earth and one of heaven, but more and more I am integrating them. More and more the kingdoms weave together to form a garment of glory, a cloak of sanity in our world of confusion. We call this cloak, incarnation. We call this garment, the sacramental life. We call this the action of grace. And we thank God for every stay against confusion.

On Flying Dancing Halls

It is a glorious and satisfying thing to discover an author who speaks to you in new and miraculous ways, an author sending you on a mission to read everything he has ever written. I have discovered authors like this over the years, with Lewis, Tolkien, Austen, Dostoevsky. I went through a Sherlock Holmes period, a Dickens period, and as a child I read every Nancy Drew that the library offered. On the other hand, I did not feel this way about Fitzgerald, Hemingway, Sartre, Camus, Woolf, Ibsen, or Henry James. I fear I gave Shakespeare no more attention than was required in my Literature major, having to work too hard on his poetic diction. These authors come to mind now, but there were dozens more – some who invited me on another leg of the journey, and some who didn’t.

So when I received the small used volume titled Father Malachy’s Miracle by Bruce Marshall in the mail, the book having been transported through the air from London, I opened it not knowing if it would challenge or change me. I’ve read it twice now, since I will be reviewing it on CatholicFiction.net. I’m sure I shall read it many more times, and be warned that I am cornering the market on any other books by Mr. Marshall that I can find. Alas, his books are out of print, something I hope to remedy one day.

But getting back to Father Malachy and his miracle, for he has become part of the peopled universe in my giddy brain. The book is, as the title implies, about miracles. The writing is dense, poetic, with rhythmically long sentences that flow like a sweet river to a welcoming sea. The metaphors stun me with their humorous and loving descriptions of ordinary people. God shines brightly through this lay-Catholic writer. When I am not sighing with authorial envy or jotting down ideas to use one day, I am nodding my head in agreement (aha, finally someone has written exactly what I think, and yes, that’s exactly how it is or was…), or I am laughing out loud.

One of many delicious passages is the author’s description of the Bishop’s Bad Brother (the “Bee Bee Bee”), a man of the world who enjoys dancing halls and wine bars:

The Bee Bee Bee was a simple soul who lived, as do many souls less simple than he, as though his sense perceptions were the only realities and as though arm-chairs and pork pies and pretty girls were exclusively and finally arm-chairs, pork pies and pretty girls.

We learn he has little interest in scientific mysteries or theological mysteries or angels dancing on the head of a pin. He lives for the moment, but he is a mystic:

Like most of his kind, he would have scorned the name of mystic even if he had known precisely what it meant. And yet that was what he was: a mystic, an inverted mystic who found in beer and dancing instructresses what tired business men found in golf, and worldly young women in lovemaking, and monks and nuns in prayer and contemplation: an escape from his own personality or rather a taking of it and plunging it in something bigger than and exterior to itself. 

An inverted mystic. He escapes from his own personality by plunging it in something bigger. I have often thought we are all mystics in this sense, that everyone has a desire to lose themselves in something or someone. We say we fall in love, we say we are swept away by a movie or a book. We want to jump on bandwagons because they are large and powerful and tell us what to think. When we say we are swept up or swept away we sigh with pleasure simply in the recollection. We plunge into work or play or fashion, fads, or Facebook. We lose ourselves in nature – beneath giant redwoods, beside a crashing sea, within a rose garden. We soar outside of time, killing it.

Perhaps this urge to lose ourselves in something bigger is an innate desire for God, a desire for our Creator, a desire for our Heavenly Father who calls us home, invites us to his table again and again, back to himself. I often think the Church is the messenger, the host of that invitation, or the invitation itself, to dine with God, dine on God in the Eucharist. Through his Church, God welcomes us into his own dancing hall, with his own family to love, sisters and brothers who return that love. We are brought inside his circle, made members of the Body of Christ, and we know we are  home, that we be-long, that we are longed-for.

We are mystics and we have found our heart’s desire. And oddly enough, in finding our Creator, we rediscover our true selves. For who knows me better than the one who made me?

The idea of the inverted mystic was one small miracle in this little book of miracles, a sweet novel set in Scotland in the 1930’s in which a dancing hall flies through the air (by power of the Holy Ghost) to land on an island called the Bass Rock. And as we consider the flying dancing hall we also consider other movements of electrons in our world, changes made to bread and wine, resurrections not governed by scientific theory, events we call supernatural. We consider miracles and the Creator of our world, the one who has power to change that world’s matter.

I must end this here, for I have just opened a small brown paper parcel containing Bruce Marshall’s The World, the Flesh, and Father Smith. The invitation is loud and compelling.

There may be echoes of Father Malachy in my next novel about a deserted chapel in a park in a suburb of San Francisco. Father Malachy, or his twin brother, may fly from Scotland and into my pages, flit across a great sea, and land in the present. But such is the stuff of miracles.