Tag Archives: Berkeley

Uncovering a Cover

Cover Art v2 (Flattened).jpgThis last week I received (and approved) the cover for my new novel, The Fire Trail, to be released by eLectio Publishing May 10. It always astonishes me when I open that email attachment. I am filled with anticipation, then wonder.

Covers cover things, in this case, the interior pages, the real book. I had signed off on the interior galley earlier, having changed a word here and there, having caught some inconsistencies. They say one never finishes writing a book; one merely abandons it. How true. I usually have a sinking feeling when I sign off on a book, for it is like sending one’s child into the great wide world. Twinges of regret will shadow my exuberance over the release, and I shall be nervous to open a copy once published. Like many authors, I am my most demanding critic and shall always see errors to be corrected and changes to be made.

And so as I gazed at the cover of The Fire Trail I asked myself if it was a good representation of the story and its themes, its characters and their arcs, the burning passion that I had seared onto the pages with my words and phrases. The cover shows the sun setting in the west beyond the Statue of Liberty, the orb of fire falling into a dark horizon, with votive candles flaming below.

I suppose it is a truth (possibly trite) universally acknowledged that humans have their own covers hiding their true selves. Does my outward manner reflect my soul or hide it? Is my book to be judged by its cover? Am I am open book, disingenuous, integrated, whole?

Our flesh, our clothing, and our behavior cover and protect us. We are born with bodies and live within them a lifetime. Body and soul are at once separate and united. And yet we have a yearning to reach out, to experience something other, transcendence beyond ourselves. Some of us make this journey with drugs. Some travel into prayer. Some are absorbed by the beauty and truth of music and art, some lost in work and some in play. In fact, being absorbed in anything, be it work, books, movies, or love of another, pulls us out of ourselves. The movement away from self is a relief, a rest, a relaxation. Self absorption is exhausting. This is why, I am told, that a good sleep is more about the rest of the mind than the body. We need a break from ourselves.

As I peer at these words through the windows of my eyes I know that I desire such escape from self. I am blessed to have found rest in God, in worship, in prayer and praise and sacrament. I’m also re-created through beauty, in music, and in nature when it is friendly not deadly. I have found rest too in books and movies that pull me into another world.

As I gaze at my new cover for The Fire Trail, I ask myself, do the images invite me inside? Just so, our outward demeanors sometimes belie rather than reflect our inward states. Sometimes they protect the inner person with layers of sophistication, sophistry, fads, political-correctness, the zeitgeist of today. Sometimes it is frightening to drop the mask, the public persona, to be open, honest, and loving.

The Fire Trail referenced in the title of my new novel is a firebreak in the Berkeley hills that many walkers and runners enjoy for the panoramic views of San Francisco, the bay and its bridges. It’s a path that safeguards civilization from the wilderness, that protects Berkeley and its university from the firestorms that rage through the dry brown grass of the East Bay hills in late summer.

The Fire Trail considers whether the sun is indeed setting over Western civilization, ushering in a new dark age. But the fire of the setting sun is also the fire of burning votives, those prayers that lighten the dark. And the fire of prayer is lit by the burning love of God.

And so today, this last Sunday in Eastertide, Rogation Sunday, we pray for our world. Rogation comes from the Latin rogare, to ask, and we petition God for peace in the world, and the freedom to pray. In prayer, we unite with God’s sacred heart of burning love.

One of the appearances of Christ after his resurrection was on the road to the town of Emmaus. The two disciples who walked with him did not recognize him as Jesus who was crucified and risen from the dead. It was only when Christ breaks bread (recalling the last supper and the Eucharistic body broken) and vanished from them that they knew who he was. They wondered at their own blindness, saying: “Did not our hearts burn within us, while he talked with us by the way, and while he opened to us the scriptures?”

It has been said that when we face the last judgment, we shall either burn with the love of God or be burned by it, for mankind cannot bear too much reality. He must cover himself with anything that will distance himself from real life, from truth and even beauty. C.S. Lewis in The Great Divorce, a story about the irreconcilable distance between Heaven and Hell, describes the blades of grass in Heaven that will cut our tender feet if we are not made more real in our earthly journey, more full of the love of God.

And so we uncover our hearts and minds and souls, open them wide to God’s love – in history and in the present – so that we may infuse our culture with his law and liberty, peace and transcendence. Such experience of truth and beauty will make us more real, faith warriors able to protect our culture from the barbaric and deadly, so that that fiery setting sun will rise again, revealing a new day.

Secret Stairs in Berkeley

secret stairs 1I’ve been studying a map of Berkeley and the secret stairs of the Berkeley Hills produced by the Berkeley Path Wanderers Association. The characters in my novel-in-progress, The Fire Trail, follow these steps that bridge roads winding into the forests above the university campus, winding up to the Fire Trails.

It is curious how maps organize a broad range of information and yet at the same time help the eye to focus and pinpoint one spot. Maps are like our brains, full of detail, a network of perception of both the past (memory), the present (observation) and the future (plans). Like this shiny unfolded paper that covers my desk, we too are mapped with broad ranges as well as focal points; our brains are miracles of design, epicenters of will and desire.

Novels are stories that connect the dots, draw the lines between moments of intense focus. These moments are often crises producing turning-points. A main crisis propels the major arc of the novel along, as sub-crises propel the chapters, and sometimes even sub-sub-crises propel the scenes. The process is much like walking through Berkeley, coming upon secret stairs that connect the winding roads; sometimes we rise and sometimes we fall.

History is full of these patterns, and these crises often catalyze action, focusing our attention, the attention of our community, the attention of our country, the attention of the world, upon a single incident. The crisis we remembered this week was the horrific bombing of the World Trade Center thirteen years ago on September 11. Our television screens invaded our homes with the shocking news, and although there had been many smaller crises leading up to this one, it was this one that caught our attention, that became America’s and the Western world’s turning point.

We had not been attacked on our own soil since Pearl Harbor in 1941. Our violence since then had been self-inflicted – shootings, riots, demonstrations. Some of us, in our arrogance, tried to deny it was the work of a foreign enemy. How could anyone do this? Each of us recalls, like the day that President Kennedy was shot, where we were and what we were doing when we found out, when we first saw the plumes rising, heard the rumble of the falling towers. It was as though the jets had sliced a knife into our hearts and minds. Our safe and civilized world crumbled; the map of our culture had been ripped apart and was increasingly incomprehensible. Life, liberty and the pursuit of happiness were threatened; our freedom of speech – in word, deed, and worship – was attacked.

They say that the West experienced a similar shock as it counted its dead in the aftermath of World War I, a war we memorialize this year, begun one hundred years ago. Then too, the fire trail was breached, and the flames of barbarism crossed into our peaceful lands, threatening to destroy all that the West had built, over thousands of years since Abraham (then Abram) was called to leave the pagan world of Ur. World War I was a turning point, a catalyst that produced nihilism and despair, Lenin and Hitler and Mao, Nietzsche’s superman and the cold liberal arrogance of academic elite reigning from their own towers, these of ivory.

Church and temple imploded, divided on the path to take. Many of the once-faithful claimed God to be dead, or at least sleeping. Many delighted in such a claim, worshiping themselves and contributing to the anarchy of self-gratification now so fashionable. And so, darkness descended upon the Western world, lit here and there by communities of traditional believers, those who held onto their map, saw the way forward clearly in Scripture, Sacrament, and Creed, and who lit their candles, calling all to come and worship.

There have been three beheadings in the last month, at the last count, and I suppose now the world is watching and counting. We are finally focused. The many lines, the many roads, the many intersections where we weren’t sure which way to turn, have all converged in a single place on our map. Like the World Trade Center bombings, these violent images have stabbed our hearts and minds.

Through it all, the lights lit in our churches and temples burn brightly, calling us together, to gather as one heart and one mind before God. And as I knelt in the pew this morning in St. Joseph’s Chapel in Berkeley, my minutes and days of the week, however scattered, were gathered together in that single hour of worship. In that hour of song and praise and penitence and communion, all that was past was brought into the present and redeemed. All that would come in the future lay in God’s palm, cradled.

The connecting stairs were no longer secret passageways, but right there in beautiful bold print in my Book of Common Prayer. The paths led sensibly through the dark and into the light between the onionskin pages of my tattered Bible. Sin was forgiven, death destroyed. I could turn again, re-pent, re-form, in this weekly turning point. I could face the days ahead of me, the chaos of the world, the burning of the good and the beautiful and the true. For here was the essence, the distillation of the good, the beautiful, and the true. Here was life, for me and for each of us. Here was love that passeth all understanding, love that made sense of all maps.

Focusing on God

I’ve been sitting in my home office looking out the window, meditating on the sun glancing off olive tree leaves, considering what to focus on this afternoon in this space, this First Sunday after Trinity and this Octave of Corpus Christi. I’ve got multiple projects on my desk – pieces promised  (two posts, two reviews), the final draft of Father Raynes’s Darkness No Darkness (an ACU reprint), a booklet reprint for one of our parishes, copies of The Magdalene Mystery to be sent to the Filipino priests I met in Rome, and lastly, my novel-in-progress, The Fire Trail, which I have returned to, determined to give it a couple of hours each day, but alas, not succeeding. Oh, and did I mention the brochure the Bishop asked me to help write and the Facebook site we will be setting up for our seminary chapel, St. Joseph of Arimathea?

I could write in this space about any of these things that clutter my little brain, but which one or two or three? Suddenly, across the lawn loped a coyote, at least I think he was a coyote. He was slim, the size of a midsize dog. Long narrow snout. Darkish gray, like a deer. Clearly wild and headed across our front lawn and down the hill toward the base of Mount Diablo. Clearly focused.

I suddenly realized how important choices were. I thought of all the ideas roaming in my head and how this coyote banished them in an instant. He focused my attention on his swift run through the plowed golden grass of the hill. He focused my attention on focusing. I wanted to run swiftly, on target, like he ran.

We are bombarded with choices every day, ways to spend our time, ways to waste our time, ways to kill our time. With each choice, we move in a certain direction and are then bombarded with more choices. How does one choose?

St. Joseph's 002compWe attended St. Joseph’s today, our seminary chapel in Berkeley a block from campus. It was easy in that domed and tiled space to become focused, to not waste any of the hour given. The organ thundered as we sang, Alleluia, Sing to Jesus. The acolytes and clergy processed in with flaming candles and crucifix held high. The stone altar was alight with six white wax pillars framing the tabernacle. Soon we were praying together the familiar words of the Anglican Mass, poetic language going back to the sixteenth century. We listened to Holy Scripture and the preacher preached on the Feast of Corpus Christi celebrated this last week, the feast of the Body and Blood of Christ, the Real Presence of Christ in the bread and the wine of our Eucharistic celebration.

We were focused in that hour. We had made choices this day, decisions not to go to the park, not to go shopping, not to have a late brunch or lunch, not to sit here and work on projects at my desk. We didn’t have to choose to get up early since the service was at 11:30, for which we were grateful. But we did have to choose to take a couple of hours out of our Sunday to worship God with his Body of Christ in Berkeley.

And that choice made all the difference. It will make all the difference in my life this week, and it made all the difference in my life last week. Our preacher said that there was a time in his life when he he didn’t choose church, he didn’t choose to have God in his life. He chose other things to do with his time given. But soon he felt a deep emptiness in his soul. Soon he was hungry for God and it was a hunger that he couldn’t fill with other choices. So he returned to church, and I am glad for that, for he is a powerful preacher, bringing the intimacy of God’s love to each one of us.

Choosing is like carving, with careful attention given to each shaving of the soul. We whittle away at our lives to create a sculpted image, the person that God intended and intends us to be. We need to be careful to carve in the right places, to choose no sometimes and to choose yes other times. So we need an educated soul, as well as a fully fed soul. We need God’s Word through Scripture and sermon, and we need God himself, through the mysterious miracle of the Real Presence in the Holy Eucharist.

The coyote was heading for food and water, I am sure. Our choices are more subtle and yet just that simple too. For choosing God, choosing to worship and be fed and watered by him each week, lightens our darkness, and makes all the other choosings easy.

I became, have become, focused, for life has come into focus, at least until my next encounter with God.

A Chapel in Berkeley

On this Second Sunday in Lent, my husband and I worshiped at St. Joseph of Arimathea Chapel in Berkeley, a block from the University of California campus.

It was not our first visit to the chapel, for our publishing group, the American Church Union, is headquartered in the adjoining building (where I spend considerable time…) along with our Anglican Seminary, St. Joseph of Arimathea Theological College. It is also the seat of our dear Archbishop Robert Morse.

It was the first time, however, that we arrived on a bicycle race day. After finding on-street parking, still free on Sundays (!), we stepped around the roadblocks, watching the cyclists fly around the corner of Durant and Bowditch. This particular corner was our destination as well and, as we approached St. Joseph’s Chapel, working our way through the gathering race-watchers, we heard the happy thunder of the pipe organ.

It was a traditional English hymn that poured out the open doors and onto Durant Avenue. Many race-watchers on the sidewalk paused, wondering about the music. “An Anglican church,” I heard someone say, approaching the sign near the front door. “Hmmm, interesting,” he murmured, and moved on to the corner’s edge and the flying cyclists.

The day was bright, a glorious spring day. The hills in my East Bay neighborhood have turned a velvet green. Balmy weather has returned as though last week’s welcome rain was a distant memory. Berkeley buzzed with the energy of youth enjoying a sunny Sunday morning.

We left the bright energy of the flying cyclists and their watchers and followed the music. We entered the chapel’s softly lit space and paused in a small foyer. A Madonna and Child opposite the doorway caught the light, glowing. Turning, we stepped into the barrel-vaulted church, a “collegial” church, meaning one with a choir and sanctuary but no large nave. The space, twenty by fifty, thirty feet high, reminded me of chapels we have seen in Europe, medieval parish churches dating to the seventh and eighth centuries. But I knew St. Joseph’s was built in the mid-twentieth century, designed by William Dutcher, who clearly had a good sense of history and acoustics as well as holiness. In this chapel, the eye is drawn first to the altar – the simplicity points there – then above to the sixteenth-century crucifix, and higher to the vaulted ceiling.

We were early, the first to arrive, and I appreciated the time to gather my heart and mind into prayer. Sitting on wooden benches, we listened to the organ. The music spilled onto the red-tiled floor, winging to the altar, the crucifix, soaring beyond. A hanging sanctuary lamp glowed before a rustic altar, and soon a gentleman entered from the side of the sanctuary and lit six candles on either side of a purple-draped tabernacle. The white stucco walls, unadorned, added to the simplicity, and I recalled a Cistercian abbey (much larger) we visited in Provence: Senanque, where the empty space channels vision, and thus heart, mind, and soul to the altar and its tabernacle.

The organ is on loan from the university in a happy collaboration with St. Joseph’s. It is, according to the website (www.anglicanpck.org/seminary) a “twelve-stop, two manual and pedal, mechanical-action instrument,” built by Herr Jurgen Ahrend of Loga-Leer, Germany, renowned for his work in Europe and America. The organ is especially tuned for liturgical music of the medieval and early modern periods, so that we enter history as we sing.

I’m not a professional musician but I am drawn into beauty, and especially beautiful music, and if I am allowed to sing hymns I know and love in an intimate space like this, I think I am in heaven and not Berkeley at all. If an organ such as this one leads me through the music of beauty, a mere fifteen feet away from my ears, I am sure I am flying with the angels, and my feet couldn’t possibly be planted on terra firma.

The Anglican liturgy, with prayers dating to the seventh century, with words translated from the Latin to Elizabethan sixteenth-century prose, is especially beautiful and stunningly poetic. Over the years the words have become part of me, as the beauty has soaked into my five senses. I hear the song, see the procession of acolytes and flaming candles, smell the burning wax and the billowing incense, feel the host upon my tongue, and taste the eternal as I receive Christ into my body.

But the liturgy in this small soaring space, the organ thundering its notes upon our ears, is intimate. It is the intimate experience of God among us, touching us, loving us. Outside, the watchers shouted and bicycles buzzed. Inside, we flew as well, soaring into the chapel vaults, winging with the music, the chants, the prayers.

It was a good morning, this Second Sunday in Lent. As I saw the Cal Crew process in as acolytes (one of their duties as residents in the chapel’s neighboring house), I smiled. The young men carried their flaming candles, stepping seriously, holding the crucifix with care. As the liturgy of the Eucharist began, we all stepped into time, past, present, and future, with ancient prayers and future glory.

And we left the chapel with a holier sense of the present, and our place in time, this Second Sunday of Lent 2014.

Shadowy Borderlands

I’m setting my next novel in Berkeley, California. Folks ask me, “What is it about?” and I am challenged to give a coherent, short answer. “It’s a story about a girl who witnesses a murder…” I begin. But then, of course, it is so much more, and where do I truly begin, I wonder.

In some ways the theme is about borderlands, the edges of civilization. I believe our own culture is slowly returning to a wilderness state, with the borders of law, manners, social behavior redrawn each day, shrinking. We have been living in a darkening age for some time, a twilight time, but the night seems to be falling swiftly.

Berkeley is a perfect setting for a discussion about borders, for it sits between parkland wilderness and bay waters. Fire trails protect the townspeople from the dry hills above and hopefully break a wildfire’s path. The hills have known devastating blazes that devoured communities, so fire is no small threat. But other threats lurk as well, with a rise in crime in the civilized cities that form a necklace around the San Francisco Bay. Berkeley shelters its share of crime with lenient laws that encourage drug use, theft, and other violent means of self-expression.

Berkeley is also set in a landscape of intellect and passion, of mind and matter. Here the University of California, one of the greatest schools in the world, has birthed major scientific discoveries. The arts thrive as well, those expressions of our thoughts and beliefs and deepest desires. And yet traditional core curriculum is crumbling, no longer requiring a study of the past to understand the present. Gender and racial studies replace history, as though a narcissistic self-examination of skin and sexuality will throw light on civilization and what it means to create and foster civil society.

Berkeley’s early beginnings were Ohlone Indian, then Spanish, then Irish Catholic, having been settled by an Irish farmer (James McGee) who gave land to the Catholic Presentation Sisters for a convent and school. The city was named  in 1866 after an Irish Anglican bishop, George Berkeley (1685-1753) because of a line in the following poem:

Westward the course of empire takes its way;
The first four Acts already past,
A fifth shall close the Drama with the day;
Time’s noblest offspring is the last.

from Verses on the Prospect of Planting Arts and Learning in America

The first line became shortened later to the cry “Westward ho!”  The line also became the title and subject of a mural by Emmanuel Gottlieb Leutz (1861), which can be found in the House of Representatives behind the western staircase. The phrase and painting represent the idea of manifest destiny.

The “course of empire,” of course, was thought to be at one with the advancement of civilization. The British Empire was and is a civilization built upon classical and Christian traditions, laws and values. As these authorities lose their power and persuasion, civilization loses as well, and cracks and fissures give way to a crumbling.

This week is the anniversary of Roe vs. Wade, when “time’s noblest offspring” – America – legalized the killing of unborn children. Since that day, 41 years ago, 56,662,169 unborn babies have been killed by abortion. And we continue the killing, with 1,382 lives – daughters and sons, nieces and nephews – lost yearly. January 22, 1973 was a watershed moment in our history, a time when we turned in upon our own people, to feed upon our own humanity.

It has been said that when we do not respect human life – the unborn or the aged, the infirm or the ugly or the handicapped – we encourage a culture of crime. We look out for ourselves, not others. We take what we can when we can as long as we can. Moral parameters become defined by legal boundaries; individual conscience does not matter. Soon it does not exist.

January 22 hits me by surprise each year, like a slap in the face, and I join in the crying of those who march upon the capitols of our land. I cry with them to return civilization to our once great and generous and loving country. I suppose the surprise comes to me each year because this memorial anniversary arrives so soon after the birth of the Christ Child in the humble manger, the child that would love us no matter our abilities, looks, health, age, no matter if we breathed outside the womb or not.

So we are as a nation in a shadowy borderland, a shadowland, between civilization and the jungle. A fire trail runs around our cities, but can’t always protect us from the blaze, the inferno of self. When such a trail becomes God’s fire of purgation, a cleansing of these sins through repentance and forgiveness, only then can we love as we are meant to love – love even the unborn, even our neighbors, even, even, even…

May God have mercy on our people, and may all victims of violence be comforted and redeemed by his great love.